Human Landscapes From My Country By Nazim Hikmet, `technology Vs. Nature`

[Name of Writer][Name of Professor][Course Title][Date] military domain Landscapes from My Country by Nazim Hikmet , Technology vs NatureIntroductionIn the Epic snotty-nosed , compassionate Landscapes from My Country , Nazim Hikmet manipulationd the comparison between railway locomotive room and tempera workforcet very much . The imagery of engineering science that is demoed in this novel awaits to clash with nature Through the use of legion(predicate) dissimilar images such as the train and plane Hikmet waits to exhibit engine room as the antagonist of nature . These imageries apprize how applied science would destroy and would annihilate nature with its surroundings as engineering science progresses . However , afterward a contiguous reading into the novel , Hikmet actually suggest that technology as a dogm atic aspect that will ultimately repair gayity lives . perchance sacrifices and mistakes argon prerequisite as these ar ingrained occurrences that ar expected to happen as technology progresses . Although the follow of technology whitethorn appear to be dreadful , it is a necessary step for the ruin future of mankind livesLiteratureContemporary fraudulence on a panoramic scale is taken up in Human Landscapes , which was written during the author s prison historic period exclusively was only published several years after his termi race . Beginning with the project for an epic study of Turkish hi composition during the 20th century , at intervals the poet s level also turns to major(ip)(ip) correctts in adjoining regions , nonably naval action of introduction War II in the Mediterranean and the work of Soviet forces against Nazi invaders . His commentary on the Turkish War of authorise (1919-1922 ) stands in stark contrast to the heroic issue themes repeate dly invoked by other of that period . In Hik! met s heap , it would seem that the race as a self-colored contri onlyed to final blessedness more(prenominal)over only through an inchoate mass upgrade that did not also lead to a social revolution . Indeed , many passages suggest that class differences remained acute plainly were altered by Turkey s changed status in the valet preservation . in that location be a number of pick up sketches of individual lives , both from the flush and from the lower s , often to state unpleasant truths slightly(predicate) the people s living billet . near characters , it is recorded , died of disease at early ages farthermostmers carry their let down but lost all means of doing . Many of the personages ar war veterans from ane conflict or another . There is much attention to dates , but not in the sand of commemorating events with patriotic connotations important occurrences in individual lives are accorded the same emphasis as major developments in the nation s history There is also a fair fall of random , apparently senseless violence Family quarrels lead to slaughter after a man kills his wife , children use the ext residuum as a ball in a black game . A wrenching , gripping scene records the lynch of a Turk who had collaborated with the British occupation forces . There are round sardonic spectral references which call to mind folk superstitions in more or less later passages , Turks of a pro-German inclination speculate about whether Adolph Hitler could be a Muslim . Leading Turkish statesmen and thinkers icon as portraits on the walls of business offices the memories associated with them are quirky bits of passage that are far from flatteringThe work as a whole darts about and circumambulates historical epochs as they affected different , indeed contend , social classes . afterwards nearly xv years of national independence , homeless and desperately hungry(p) men are to be implant outside a news office if wealthy businessmen ca nnot turn a profit in some branches of the export tra! de , because of presidential term restrictions , they move pronto to other sectors where their fortunes can be increase . Some of them end up dealing with both the affiliate and the Axis bureaus during globe War II . The incidence of felo-de-se on any side of the class divide is slightly high among the gloomy childbirth is difficult , painful , and sometimes ends in calamity Although this exercise in historical realness , based on the author s own observations of Turkish sustenance , does not seem to hold out any straightaway hopes for a offend future , the poet s s of nature and straightforward joys serve to put up an otherwise grim and unsentimental saga (Des Pres 7-25Written in free rime and employing such cinematographic techniques as flashbacks , pans , zooms , dissolves , and jump cuts , Human Landscapes from My Country combines the economy of poetry with the rapid-fire imagery of motion pictures . Hikmet traces the fortunes of men and women in heat and war - - from prostitutes , politicians , and captains of industry to housewives , political prisoners , and peasants -- and gives phonate to social strata unhearable from in a heroic context of use until the twentieth century . To Hikmet , every living is a human-interest story charge telling and his is a cast of hundreds .

This panoramic view of Turkish society during World War II , when the depute of the worldly concern hung in the balance highlights the compelling variety of human bang , never letting us forget that , for repair or worse , the fate of the world is in our handsHikmet s unembarrassed communistic politics , for which he languished in prison or transfer most of his adult ! life , are reflected in vignettes of regard Ivans of soldierly valor and of real-life heroes Tanya the teenaged Russian new and the Nazi-martyred diarist Gabriel Peri Still , the poet s most profound sympathies lie with the poor man striving to sustain himself and his family in pursuit of a travel rapidly happiness . Living out prolonged parturiency for political activities dreaming of his wife and child as cecity threatens and long time buy the farm years , unbowed Halil recalls the poet s own power , a cynosure of what an entire culture was forced to endure . lastly Hikmet s art suggests spaciousness , a grandeur in the wrong information of poor people seeking just to blow over spell events portend an invidious recurrence of suffering for passion , rivalry , misfortune--for living . Finally available complete in side , Hikmet s hauntingly eloquent masterpiece never flagsHuman civilization and technology has heavy(p) in a fast pace but are we happy ? Hikmet said th at he feels life is more at rest . Nobody said that life has become happier . We found that technology which has been developed to sustain life easier has in feature do life complicated and busier . He said that inappropriate the away , now he can travel from verbatim to coif in few minutes /hours but life has become busier . Communication has improved , technology has taken place in our lives but effective communication between people has decrease . We were all alarmed to face this fact that better technology doesn t mean happiness . So is technology , alternatively of liberating us , holding us backSome later segments of this work are basically similar to portions of The Moscow Symphony and Other Poems , an inventive melodic reconstruction of German-Soviet fighting which in the startle representative was in all likelihood based upon news stories that Hikmet trustworthy in prison . After allowance for the different languages , it may be argued that some passages w ould do credit to a Soviet wartime poet : the anxiety! of the war s first year , the vast human drama of armies locked in rubbish , and the camaraderie of soldiers brought together in common struggle are evoked in rattling , telling linesThis novel in verse , written during one long prison reprove in the 1940s , reflects the frantic and physical torments the poet experienced . more gritty than lyrical , it is potently plainspoken But Selim was no Communist / He didn t even know what communism was .But the cops theme different / They set(p) Selim on the floor . And when Selim got up / he couldn t step on his feet / They laid Selim on the floor / And when Selim got up / he couldn t see Hikmet s create verbally is poetry under siege , and the blunt heroism of his characters makes them more Marxist ideals than believable human beings . The poetic element may not survive easily in translation , but the content and context make this a lastingly captivating workWorks CitedDes Pres , Terrence . Poetry and Politics : The pillow sl ip of Nazim Hikmet Parnassus : Poetry in Review 6 , no . 2 (1978 : 7-25Writer s Name rascal 1 ...If you want to get a full essay, rove it on our website: BestEssayCheap.com

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